 | The not-the-launch-vehicle from the rear. |
 | The Launch Vehicle from the rear. |
 | The Launch Vehicle from the front. |
 | The not-the-launch-vehicle from the front. |
 | Marie inspecting the primary. |
 | The inner frame from the back, with both the mirror and cryostat installed. |
 | Enzo, hard at work, or, um, something... |
 | The receiver team concentrates on optical alignment, while Barth and Ed discuss computer problems. |
 | The Pressure Vessel (PV) with both computers installed. |
 | Ed working on the Integrating Star Camera. |
 | Enzo and Matt at the Brown House for lunch. |
 | The warehouse next door to the Brown House. |
 | Another shot of the Brown House. |
 | Gaelen and Chris chase tumbleweed during the storm. The lesson for the day: don't try to pick up tumbleweed. It's pointy. |
 | The lab takes a break to experience the weather. |
 | Marie with ominous looking clouds behind her. |
 | A gathering in the wind. |
 | Gaelen takes a photograph of the group. |
 | David entertains with a story. |
 | Barth and Jaspaul fight against the wind. |
 | Contemplating the storm. |
 | Light on the horizon. |
 | From: Palestine, Texas To: Alice Springs, Australia.... or is that the other way around? |
 | The same thing, but without the flash. |
 | A brief movie of lightning during the storm. |
 | A brief movie of lightning during the storm. |
 | Barth and Sophia in front of the Netterfield van. |
 | Sunset beneath the storm. |
 | Sunset beneath the storm. |
 | Looking east into the storm. |
 | Looking east into the storm. |
 | Another movie of the storm. Note the light from the setting sun. Note the rainbow. |
 | Ditto. |
 | Ditto. Now with people! |
 | Gaelen photographing the lightning, as Matt and Chris look on. |
 | The same, but blurrier. It was difficult to keep the camera still in the wind without a tripod. |
 | Sunset. |
 | A movie of the sunset. |
 | Greg reassembling the ACS Power Module. |
 | A close up of the ACS Power Module's front panel. Note the camera induced distortion. |
 | Mark and Jeff continue to align the optics. |
 | Mark puts on a hat to make Gaelen feel more at home. |
 | Mark posing for the camera. |
 | Matt helps with the optical alignment. Careful there, Mark. |